I am interested in acquiring one of your paintings and would like to begin the process of negotiating.

A painting can be developed much the same way as a crystalline structure. Outside influences become introduced into the composition of the object which can ultimately continue to be perceived in the entity.

I would propose to you to begin this discussion by exploring parallel structures as opportunity for exchange.

Please kindly provide me with confirmation of your interest in this exchange as well as images of the available paintings. I am anxious to know your thoughts.

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  1. Unknown User (wayne.d.stokes_2@touchstonenetwork.net) AUTHOR

    I am certainly interested in a barter with you. To the right I have attached an image of some monochromes in my studio.
    But as far as the discussion goes, I am not following you because the language doesn't sound like your own. Perhaps you are performing now? Can you please clarify what you mean by parallel structures as opportunity for exchange? Exchanges have ranged from casual to formal and have touched upon peoples relationship to ideas of consumerism, labor, leisure, social bonds, and art. What do you propose to exchange?